Most coloured light switches are painted plastic. The paint scuffs where your thumb lands, chips at the screw the first time a driver slips, and white turns yellow in a sunny hallway within a couple of years. COLORI is different. The colour is baked onto a solid metal plate, so it isn't a layer sitting on top; it is the surface itself. Blue stays blue after years of flicking. White stays white. Anthracite wipes clean with a damp cloth and holds no fingerprints. No brush lines, no runs, no thin spots at the corners: one even matt coat in six colours, each finished with a knurled brass, silver or black toggle. It's the same kind of finish used on things that live outdoors. On a switch, it simply means the colour you chose is the colour you keep.

The plate is solid metal. Not a metal-look moulding, not a plated skin over plastic. You feel that before you read a single line of copy: the weight in the box, the cool face flat to the wall, the 24.4 mm it stands proud of the surface.

The toggle is diamond-cut and knurled. Grip under the thumb, a defined edge, not a smooth plastic nub. The detail kit that ships with it (toggle arm, nut, caps) is finished to match the plate, so nothing on the front breaks the line.

Every plate starts as a sheet of metal in our workshop in Brașov and leaves it as a finished switch. We cut it, plate it, coat it, and fit the toggle. That's why the brass on a switch matches the brass on the socket beside it, why a colour can be made for one project, and why a question about your order reaches the person who built it. It's also why the price has no importer in it. Ordering from Lunyon is ordering from the factory, and the factory is small enough to still care what goes out the door.